For some years the death of
television advertising has been widely debated but the
medium still claims a major share of many marketers’
budgets. It seems that almost every day there are
stories about how television advertising is on the way
out to be replaced “new media” such as the Internet or
mobile advertising. Budgets for other media such as
on-line or mobile are growing but this is often from a
small base. Many campaigns are now built around a
digital campaign with the aim of capturing consumer data
to enable future 1-to-1 targeted promotions.
In the UK, expenditure on on-line
advertising is set to pass that of television
advertising by 2010 according to the Internet
Advertising Bureau and PricewaterhouseCoopers.
Does this mean the end of the
30-second commercial though? The IAB/PricewaterhouseCoopers
study indicates that some major advertisers still
dedicate the bulk of their UK marketing communications
budget to television. Procter & Gamble’s Web advertising
accounted for just 1.2% of its total media budget in
2007 while Unilever allocated 9.8% and Tesco just 3%.
What we are seeing is a change in the
nature of television advertising. Its role may be
evolving but it remains an important part of the
marketing mix. We may question why traditional
television advertising may be struggling but also what
is taking its place.
The decline of television advertising
There are a number of reasons why
television advertising could be viewed as less important
than some years ago. These include the following:
-
Loss of effectiveness and
consumer trust.
-
Fragmentation of media.
-
Emergence of new media channels.
-
Quality of programming.
-
Changes in consumer behaviour.
Loss of effectiveness and consumer
trust
This has become a major issue. In a
recent study, the management consultancy McKinsey
claimed that, by 2010, traditional television
advertising will only be one-third as effective as in
1990. While this is partially due to higher than average
TV cost inflation, there are also the significant issues
of consumer trust and behaviour while watching
television. The cost of reaching a dwindling number of
viewers has been increasing rapidly making the cost per
viewer far more expensive.
Many viewers switch off or “zap”
(change channels) when there is a commercial break; some
viewers are multi-tasking and undertaking other
activities at the same time as watching television while
others have reached message saturation and mentally
“switch off”. Recent technological developments such as
personal video recorders can even allow viewers to
fast-forward automatically through the commercial
breaks. It was reported that ITV has been seeking to
restrict the speed at which this can be done.
However, when the issue of trust is
considered, advertising ranks low and television
advertising is particularly low. Many viewers simply do
not believe what they are being told. Consequently,
television advertising may be seen as less “trustworthy”
than other forms of communications.
Furthermore, in the UK Ofcom is
reported to be looking at relaxing the regulations
relating to television advertising to allow longer and
more frequent advertising breaks. It could be questioned
whether this will help to grow the television
marketplace or simply just add to more clutter or
“noise”. Will it turn the television viewer away from
the screen? How will more frequent advertising breaks
affect the perceived quality of the programming or the
viewing experience? Greater intrusion into the viewing
experience may well have the effect of making viewers
switch off in greater numbers.
Fragmentation of media
Television is not alone in
experiencing media fragmentation and the Internet is,
possibly, the ultimate in media fragmentation. This
means that there are far more channels for the viewer to
watch. When there was one or just a few commercial
channels, the programmes could guarantee high levels of
viewing and charge advertisers for the privilege of
reaching them. Nowadays, with the occasional exception,
the explosion in the number of commercial channels
available through cable, satellite or digital
terrestrial television gives viewers substantially more
programme options and the viewing levels for programmes
on the main channels are therefore much lower. A
30-second spot at 7.30 on a weekday evening reaches far
fewer consumers than previously.
Emergence of new media channels
The media environment has certainly
fragmented. Digital marketing is becoming more pervasive
and is often able to engage consumers in a way that
traditional media cannot. For example, social networking
sites such as Bebo, Myspace and Facebook account for a
large share of consumers’ time, hours that may have
previously been spent watching television.
Mobile marketing is becoming more
popular and advertising can effectively lower the cost
of providing content in the same way that it has done in
the past for television and press.
For some consumer types, new media
such as social networking sites and mobile phones may be
the only effective way to reach them.
US expenditure on alternative media
reached $73.4 billion in 2007, a rise of 22% over the
previous year, according to PQ Media. It is forecast to
rise to account for over 26% of marketing budgets by
2009.
There are more options open to
consumers and, as a result, more options available for
advertisers. Traditional media have to compete in this
new environment.
Quality of programming
The impact of programming is clearly
a subjective issue. However, from a UK perspective, the
quality of programming on ITV, the main commercial
channel, has been widely cited as being in rapid
decline. The channel has been criticised for endless
reality shows and “talent” contests. The effect of this
is that programmes seen by ITV as major audience
grabbers have been scoring very low levels of
viewership, at least in comparison with the higher
levels of viewership enjoyed in the past.
A poor summer 2006 for ITV has led
analysts to forecast that the channel will lose an
additional £70 million of advertising revenue in
addition to the £140 million fall already forecast for
2006. Unilever, a major television advertiser, has been
reducing its television expenditure substantially.
Changes in consumer behaviour
The television no longer occupies the
position at the centre of a family’s entertainment. Many
homes will have televisions in different rooms with
family members each watching their own programme. They
could also be watching a DVD or video or playing a video
game. Home entertainment may also be away from the
television entirely with music and increasingly video,
accessed over broadband Internet or mobile phone
connections. Again, this is likely to be fragmented with
the different family members having a one-to-one with
the PC.
Furthermore, television advertising
may not be the best way to reach young people. Teenagers
and those in their twenties have grown up in a different
environment where the use of Internet or mobile phone
has always been present and television does not occupy
the same position in their lives that it may have done
for the baby boomers. In North America, the 18-26 age
group spends more time on-line than watching TV
according to Forrester Research. Furthermore, they are
adopting new technology at a rapid rate, making the use
of new media channels such as podcasts, blogs or mobile
marketing increasingly viable and effective ways to
communicate. Consequently, advertisers who are looking
to reach younger people may still use television but it
may no longer be the lead medium.
TV advertising is dead, long live TV
advertising
So what does this mean for television
advertising? Does the apparent move of viewers away from
television and the loss of expenditure by major
advertisers signal the end of commercial television? Not
at all. The medium is evolving and is developing a
different role within the marketing communications mix.
Exploit fragmentation
Firstly, while channel fragmentation
might mean smaller audiences for advertisers, this could
actually be viewed as something positive. The growth in
the number of channels available to viewers means that
it has become much easier for advertisers to target
particular audiences. In fact, there may be a whole
channel dedicated to that audience rather than having to
find the appropriate programme. In addition, the
proliferation of channels can make it easier for a
marketer to advertise on television for the first time
through the availability of lower cost options on the
specialist channels.
The growth of interactivity
The biggest change to television
since it was invented is currently underway with the
switch from analogue to digital signals. While iTV is in
its early stages of development, it provides added
engagement by allowing the viewer to request more
information about the product or service, perhaps by
requesting a brochure or a more detailed overview of the
product. Many brands have been experimenting in this
area particularly through cable and satellite networks
that allow a return path to the advertiser.
Interactivity has the potential to open a dialogue
between the marketer and the consumer. As more and more
homes are equipped with digital television and the
analogue signal is gradually phased out, interactive
television is likely to become increasingly popular.
Greater viewer engagement
If television advertising and
television content itself is able to engage the viewer
more than previously then clearly this is one way to
increase its effectiveness. This means moving away from
a harder sales message to a softer and more subtle
approach. There are a number of ways in which this is
providing opportunities for advertisers.
Product placement is on the rise. PQ
Research has estimated that global product placements
were worth some $2.2 billion in 2005 and will pass $3
billion in 2006. Free placements are reported to be in
decline. Product placement is not seen as advertising
and thus does not carry the negative trust associations.
It can show the product in context, perhaps being used
by someone who has credibility with the audience.
However, excessive use of product placement or
over-exposure of the brand could provide damaging if
there is an advertently commercial message. There needs
to be a perceived level of objectivity for the placement
to have any genuine effectiveness. Overt product
promotion within programming is likely to have the
effect of damaging the credibility of the programming.
In addition, the BBC has been accused of allowing
product placement and thus advertising by the back door.
Clearly, this approach is not without its issues.
A stage further from product
placement is the development of branded content. This is
becoming more commonplace, not just on television but
also in other media such as content-driven Web sites and
customer magazines. Here the advertiser has control over
the content and is able to guarantee the quality and
that the brands are shown in the most appropriate
environment. Kraft Foods, for example, has developed the
Food & Family magazine concept that has evolved from the
Kraft Interactive Kitchen Web site to television and
magazine distribution.
Advertiser-funded programming is
another possibility although this is an area that has
been active for some time. Again, this enables the
advertiser to have a higher level of control. Like
product placement, if the commercial messages are too
intrusive then the programme will lose credibility.
However, a different approach to this is to develop a
more generic programming style, for example, focusing on
Italian cookery. While this could help to grow the
overall market for Italian cookery ingredients, use of
tactical advertising and promotion for the brand should
be able to grow the advertiser’s business
disproportionately.
We are currently seeing the growth of
video on demand, indeed it is said to be clogging up the
Internet as it has become so popular. Web sites such as
YouTube or the BBC’s iPlayer allow consumers to view
videos or television programmes when they wish. This is
the start of viewing becoming more active and less
passive even if it is necessarily interactive. It will
be interesting to see how video on demand will offer
opportunities for advertisers other than simply
including a commercial at the start of a downloaded or
streamed video clip.
Conclusion
The role of television in the
marketing communications mix is clearly changing. The
rising cost of using TV and the lower level of
effectiveness have meant that it does not have the same
position in the marketing communications mix that it may
have done in the past. However, this does not mean that
television advertising is on the way out. Quite the
reverse. There are new ways in which the medium of
television can be used to address new consumer and
technology opportunities.
They way forward is to understand the
key advantages of television and build these features
into future marketing communications programmes. These
may not necessarily be 30-second commercials but other
audio-visual-driven programming that can be accessed in
different ways by the consumer. Bombarding consumers
with endless commercial messages will not only continue
to undermine the programming but will also act to
disenfranchise the consumer further.