There is
widespread agreement within most companies that they
need a better methodology for identifying and
implementing those properties they sponsor. Once one
develops the right methodology to create and analyze
sponsorships and promotions, one must be disciplined in
applying the methodology to current programs and plans,
or those that either are presented from the outside, or
are developed within the company.
The essence
of the needed methodology in evaluating and planning for
sponsorships and promotions is the early identification
of thematic spaces of potential marketing value to the
company’s products and brands. The identification of
these potential spaces (to be confirmed or rejected
through subsequent research) can be from the company’s
sponsoring tradition and experience, from a sponsorship
opportunity presented and available for purchase, or
simply from a creative assumption by a company’s
marketing person or by some cooperating agency person.
Drilling
down from the generic thematic space, one next should
consider the specific property-area within that space
(for example, within the thematic space of sport,
tennis). The drilling-down process continues as one
identifies the area within the property universe that
one wants to emphasize in the contemplated sponsorship
or promotion (for example, college or professional
tennis).
As one
prepares to field initial consumer research, one is
primarily interested in answering three fundamentally
important questions: First, what is the essence of the
appeal -- that is, the “sweet spot” of this proposition
from the point of view of segmented consumers; second,
how do the company’s (and competitors’) customers and
partners perceive, value, and potentially interact with
this “sweet spot”; and, third, what essential creative
marketing and communications insights might one glean
from this consumer research?
It is
crucial that smart Marketers understand that research
can only validate or invalidate a proposition, or
provoke -- or fail to provoke -- a subsequent creative
insight; research -- absent subsequent, creative
marketing and communications ideation -- almost never
presents or mandates the essential insight underlying
truly outstanding sponsorship-- and outstanding
marketing of all kinds, for that matter. Good research
is merely a validating or invalidating step, and a
churner of grist for potential insights, not an
automatic deliverer of those insights which lead to big,
winning ideas.
Once
research has shown the relevance and potential power of
the particular “sweet spot” for those to whom one wishes
to appeal, then one must creatively scan the research
data for the sort of creative insight on which great
marketing ultimately depends. For it is the creative
insight -- almost always at least partly
counter-intuitive -- that provides the ultimate consumer
offer and appeal with its breakthrough power.
Once one has
the essential creative insight, then the next step is to
devise specific activation ideas that incorporate,
feature, and even showcase the insight one has
discovered. Again, without the power of an underlying
creative insight, surprising in its
counter-intuitiveness, sponsorship and promotion are
otherwise simply part of the routine marketing clutter;
they never rise above, or break through, the continuous
background noise.
Finally,
these specific activation ideas one devises are further
researched, in part by presenting them to our segmented
consumers and prospects.